by
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'Tis raging noon; and, vertical, the sun
Darts on the head direct his forceful rays.
O'er heaven and earth, far as the ranging eye
Can sweep, a dazzling deluge reigns; and all,
From pole to pole, is undistinguish'd blaze.
In vain the sight, dejected to the ground,
Stoops for relief; thence hot-ascending streams
And keen reflection pain. Deep to the root
Of vegetation parch'd, the cleaving fields
And slippery lawn an arid hue disclose,
Blast fancy's blooms, and wither even the soul.
Echo no more returns the cheerful sound
Of sharpening scythe: the mower, sinking, heaps
O'er him the humid hay, with flowers perfum'd;
And scarce a chirping grasshopper is heard
Through the dumb mead. Distressful nature pants;
The very streams look languid from afar;
Or, through th' unshelter'd glade, impatient, seem
To hurl into the covert of the grove.
Welcome, ye shades! ye bowery thickets, hail!
Ye lofty pines! ye venerable oaks!
Ye ashes wild, resounding o'er the steep!
Delicious in your shelter to the soul,
As to the hunted hart the sallying spring,
Or stream full-flowing, that his swelling sides
Laves, as he floats along the herbag'd brink.
Cool, through the nerves, your pleasing comfort glides;
The heart beats glad; the fresh-expanded eye
And ear resume their watch; the sinews knit;
And life shoots swift through all the lighten'd limbs.
James Thomson first achieved recognition in 1726 with the poem Winter; he finished the rest of The Seasons poems by 1730. His other significant work is The Castle of Indolence (1748).
The image is a detail from John Constable's Dedham Vale, 1802
