From The Expression of the Emotions
in Man and Animals
(pp. 199-203)
by
Introduction, Afterword and
Commentaries by
(
Editors note: The following excerpt and figures provide a glimpse of Darwins fascinating and elegant exploration of the physicality of feelings. The original publication holds the distinction of having been the first English-language science book to make use of photographs.
In his introduction to this new and definitive, profusely illustrated edition of Expression, Darwin scholar Paul Ekman points out that one of Darwins major interests in studying emotional expression was to demonstrate a universality of expression among species. Ekman writes, If he convinces us that the same principles explain all primate expressions, we would have to accept the continuity of species, a cornerstone of his evolutionary explanation of the origin of our species. This issue is just one of the many intriguing questions addressed by Darwin in this study of the outward manifestations of interior lives.

During laughter the mouth is opened more or less widely, with the corners drawn much backwards, as well as a little upwards; and the upper lip is somewhat raised. The drawing back of the corners is best seen in moderate laughter, and especially in a broad smile - the latter epithet showing how the mouth is widened. In the accompanying Figs 1-3, Plate III, different degrees of moderate laughter and smiling have been photographed. The figure of the little girl, with the hat, is by Dr. Wallich, and the expression was a genuine one; the other two are by Mr. Rejlander. Dr. Duchenne repeatedly insists that, under the emotion of joy, the mouth is acted on exclusively by the great zygomatic muscles, which serve to draw the corners backwards and upwards; but judging from the manner in which the upper teeth are always exposed during laughter and broad smiling, as well as from my own sensations, I cannot doubt that some of the muscles running to the upper lip are likewise brought into moderate action. The upper and lower orbicular muscles of the eyes are at the same time more or less contracted; and there is an intimate connection, as explained in the chapter on weeping, between the orbiculars, especially the lower ones, and some of the muscles running to the upper lip. Henle remarks, on this head, that when a man closely shuts one eye he cannot avoid retracting the upper lip on the same side; conversely, if any one will place his finger on his lower eyelid, and then uncover his upper incisors as much as possible, he will feel, as his upper lip is drawn strongly upwards, that the muscles of the lower eyelid contract. In Henle's drawing, given in woodcut, Fig. 2, the muscularis malatis (H) which runs to the upper lip may be seen to form an almost integral part of the lower orbicular muscle.
Paul Ekman comments:
I disagree with Darwin on the anatomical basis for the facial movements he proposes in this paragraph. I believe Duchenne was right and Darwin was wrong about why the upper lip is often raised in a strong smile. My research suggests that with enjoyment the zygomatic major muscle is the principal muscle in the lower face, and may be the only active muscle in the lower face. The exposure of the teeth and raising of the upper lip noted by Darwin can occur by strong activation of zygomatic major alone, and does not, as Darwin proposed, require the activation of a second muscle. The strong action of the zygomatic muscle stretches the upper lip, and in most people this also slightly raises the lip. Of course, additional muscles can he activated which will raise the upper lip further, but this is not typical or necessary in a smile of enjoyment. I believe Darwin was also mistaken in accepting Henle's claim that eye-closures raise the upper lip. The upper lip is often slightly raised, particularly at the outer edges, but it is the action orbicularis oculi alone which stretches the skin and causes this change in the upper lip, not the activation of another muscle in the lower face.
The man who appears in Figures 4, 5 and 6 (below) also appears in later illustrations. Duchenne wrote about him, "The individual I chose as my principal subject for the experiments . . . was an old toothless man, with a thin face, whose features without being absolutely ugly, approached triviality and whose facial expression was in perfect agreement with his inoffensive character and his restricted intelligence. . . . There are few people who are willing to submit to this type of experiment, because, without being extremely painful, electrilization of the facial muscles often provokes involuntary movements resulting in contortion of the facial features. This subject had reduced sensations. He was suffering from a complicated anesthetic [unable to sense pain] condition of the face. I was able to experiment on his face without causing him much pain, to the extent that I could stimulate his individual muscles with as much precision and accuracy as if I were working with a still irritable cadaver."

Dr. Duchenne has given a large photograph of an old man (reduced on Plate III, Fig. 4), in his usual passive condition, and another of the same man (Fig. 5), naturally smiling. The latter was instantly recognized by every one to whom it was shown as true to nature He has also given, as an example of an unnatural or false smile, another photograph (Fig. 6) of the same old man, with the corners of his mouth strongly retracted by the galvanization of the great zygomatic muscles. That the expression is not natural is clear, for I showed this photograph to twenty-four persons, of whom three could not in the least tell what was meant, whilst the others, though they perceived that the expression was of the nature of a smile, answered in such words as "a wicked joke," "trying to laugh," "grinning laughter," "half-amazed laughter," etc. Dr. Duchenne attributes the falseness of the expression altogether to the orbicular muscles of the lower eyelids not being sufficiently contracted; for he justly lays great stress on their contraction in the expression of joy. No doubt there is much truth in this view, but not, as it appears to me, the whole truth. The contraction of the lower orbiculars is always accompanied, as we have seen, by the drawing up of the upper lip. Had the upper lip, in Fig. 6, been thus acted on to a slight extent, its curvature would have been less rigid, the naso-labial furrow would have been slightly different, and the whole expression would, as I believe, have been more natural, independently of the more conspicuous effect from the stronger contraction of the lower eyelids. The corrugator muscle, moreover, in Fig. 6, is too much contracted, causing a frown; and this muscle never acts under the influence of joy except during strongly pronounced or violent laughter.
Paul Ekman is Professor of Psychology at the University of California at San Francisco; he is the editor of Darwin and Facial Expression.


Endlinks
For more on scientific photography and imaging, see in this issue:
For more on photography, see:
A History of Photography from its Beginnings till the 1920s - three major sections: an essay on the beginnings of photography; and two extensive lists of brief but informative descriptions, one on significant people, the other on significant processes, styles and movements in photography. Also provided is a listing of photography museums in England and Scotland, a lengthy bibliography, and a link to the Royal Photographic Society.
Images from the History of Medicine - access nearly 60,000 images in the prints and photograph collection of the History of Medicine Division (HMD) of the U.S. National Library of Medicine (NLM). The collection includes portraits, pictures of institutions, caricatures, genre scenes, and graphic art in a variety of media, illustrating the social and historical aspects of medicine.
Timeline of Photography - from the first description in the 5th century B.C. of the optical principles of the camera obscura, to the introduction of the digital camera in the 1990s, a timeline of dates associated with the evolution of optics and photography. A brief bibliography is provided. Part of the George Eastman House International Museum of Photography and Film in Rochester, NY, which houses historic collections of photography, film, and photographic technology, and which offers exhibits, educational workshops (for children and adults), a photo and video database, and events such as the Mondo Bizarro film festival.
The Leiden 19th-Century Portrait Database Dutch Cartes de Visite - a collection of some 13,000 cartes-de-visite (small visiting card portraits in vogue in the 1860s) presented by the Leiden Imaging and Multimedia Group, at Leiden University, The Netherlands. Browse the entire collection, and read a well-linked history of cartes de visite photography. More modern research projects at the Imaging and Multimedia Group include Image Databases; Face Detection and Recognition; ImageScape WWW Search Engine; Medical Imaging; Model-Based Video Coding; and Video Segmentation and Classification. Links to other digital libraries are also provided.
Other Darwin features in HMS Beagle:
Charles Darwin: A Great Mind Remembered - two essays: On the Dispersal of Freshwater Bivalves (Darwins last Nature article); and Charles Darwin: The Obituary Notice by Thomas Huxley.
Darwin 2nd Edition, CD-ROM - review of the CD, which includes complete editions of Darwin's The Origin of Species, The Descent of Man, The Voyage of the Beagle, The Expression of the Emotions in Man and Animals, Michael T. Ghiselins The Triumph of the Darwinian Method, a biographical dictionary, a detailed timeline of Darwin's life, and a bibliography of 1,500 works.
The Correspondence of Charles Darwin, 1861 - excerpted Musings on Design and Slavery from volume 9 of Darwins collected correspondence, edited by Frederick Burkhardt.
Darwin and the Beagle - excerpt from the book by Alan Moorehead on Darwins voyage, with striking illustrations by the expedition's artist.
Classic Reprints - links to the full text of Darwin's The Voyage of the Beagle, On the Origin of Species, and The Descent of Man.
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