Art for Science’s Sake
(Posted April 17, 1998 · Issue 28)

Frog Reconstructions
from The Whole Frog Project

© 1994 by Lawrence Berkeley
National Laboratory
(click on image to see more)

How many ways can you look at a frog? Your options are greatly expanded if you visit The Whole Frog Project. This rich databank of anatomical pictures helps high school biology teachers use data from MRI imaging and mechanical sectioning, together with 3D surface and volume rendering software to visualize the anatomical structures of the intact animal. "Ultimately we intend to be able to 'enter the heart and fly down blood vessels, poking our head out at any point to see the structure of the surrounding anatomy'". A Virtual Frog Dissection Kit and frog movies are some of the highlights here.

 Science for Art’s Sake
Desert Iguana
from Animalia series
by Carol Selter
© Carol Selter 1996
(click on image to see more)

"My work is about the way humans objectify other species, especially the way science searches for the secret of life in dead organisms and isolated molecules." Carol Selter's dual life as photographer and biology lab technician gives her an unusual perspective on the animal world .In the series "Animalia," she has created images made by living animals as they move across a flatbed scanner. Selter won a 1996 SECA Electronic Media Award; her work was recently featured in Wired magazine (March 1998) and U-Turn Journal of Electronic Arts. The result of the interaction between the moving organisms and the moving scanner bar is a time-lapse pattern unique to each species, a signature.... After each scan, I make a thermal-wax printout of the computer file. This turns the already unnatural colors even more lurid and "atomizes" the image into halftone dots. When I copy the printout onto negative film and print it twice life size, the halftone dots become a metaphor for the limitations of reductionist biology: The closer you look the less information you get about the image. Like the organism itself, the image emerges from the organization of its constituent parts. The most detailed examination of dots or molecules can never reveal the structures that emerge from their relationships.

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Previously Featured Art
Images from Nature,
an illustrated catalog from London's Natural History Museum
(Issue 25 · posted February 20, 1998)
Breath Taken: The Landscape & Biography of Asbestos,
an exhibition by Bill Ravanesi
(Issue 24 · posted January 30, 1998)
Doomsday by Ulla Godwin
Excerpt from Metropolis by Fritz Lang
(Issue 21 · posted December 5, 1997)
Open Heart Surgery Movie from The Franklin Institute Science Museum
Donor Lymph Nodes by Max Aguilera-Hellweg
(Issue 20 · posted November 14, 1997)
Banana Exploding by Andrew Davidhazy, and
Nature Reborn by Ming Fay
(Issue 18 · posted October 17, 1997)
Lincoln by Bela Julesz and Leon Harmon, and
Keith/four times by Chuck Close
(Issue 17 · posted October 2, 1997)
Human, full body scan by Meditherm, and
Recollections by Ed Tannenbaum
(Issue 16 · posted September 19, 1997)
Praying Mantis by Kenneth J. Stein, and
StareCase by Alan Dorin
(Issue 15 · posted September 5, 1997)
Pure GFP by Yang Hong,
Victor Ambros Lab, Dartmouth and
Light Forest by Betsy Connors
(Issue 14 · posted August 15, 1997)

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